For me, one of the landscapes like religion was easier to ‘visibilise’ and not just look at.”įilm still from The Lost Head and the Bird, 2016-19, short film Image: Courtesy of STIR Using that in work would have been quite difficult for me, if I was trying to explore the workings of the system. Hura notes, “The dominant propaganda is happening through the benign use of images, not through events that draw attention but these undercurrents and peripheral or even normalised sequence of images. The film takes a surreal tone in its intensification where the moving image slows down. This can be gleaned from Hindu symbols, veiled instances of ritual on land and the cleansing yet calamitous potential of water. The film shot on the coasts of Tamil Nadu, bears witness to celebrations of a religious festival, forming the backdrop of his work. His 2020 short film, The Coast attempts to delineate tension between ‘masks’ and reality, personified by the coastline as “a breaking point, shifting borders, boundaries, skin,” according to the artist. In a conversation with STIR, the photographer speaks about his experimentations that involve introducing movement into his work, the inherent fallacies within the unshakable interpretation of photographs as documents, and the practice of ‘re-looking.’Įxhibition view with stills from The Coast, 2020, short film Image: Sohrab Hura Ironically through a misinterpreted assignment, that resulted in his short documentary Pati (2010). The exhibition is introduced through his most recent work The Coast (2020), in a journey that traces backwards into the origins of Hura’s excursions into the moving image format. Revisiting his works, through this exhibition, the photographer introspects on his journey as a practitioner, his engagement with storytelling, iterative realities, and a falsified image form. The exhibition presented four projects, three of which are responsible for having cultivated a memorable oeuvre for the photographer, and are an extension of his retrospective profile at the Oberhausen Short Film Festival, presented in 2022 with the same title. Sizing issues can NOT be refunded.Running parallel to the India Art Fair, annually showcased at the NSIC Grounds in New Delhi, Sohrab Hura presented an exhibition titled Half-Moving at Offset Projects' temporary studio space. If you have a question regarding sizing, please contact us before ordering. Exchanges/Refunds are only granted if the incorrect item has been sent by the seller. I do NOT accept returns or exchanges for all shirts unless it's the product quality issue, However, please contact us if you have any problems with your order and we will happily assist you to correct the issue. Please contact us through message if you entered the wrong address, we would gladly help you unless the item has not been made and processed for shipping. Machine wash: cold (max 30C or 90F) Do not bleach Do not tumble dry Iron, steam or dry: low heat Do not dryclean Polyester fibers are extremely strong, resistant to most chemicals, stretching and shrinking. Made from specially spun fibers that make very strong and smooth fabric, perfect for printing. Medium heavy fabric (9 oz /yd² (310 g/m²)) Care instructions: Machine wash: warm (max 40C or 105F) Bleach as needed Tumble dry: medium Iron, steam or dry: low heat Do not dryclean 50% Cotton 50% Polyester (fiber content may vary for different colors) + 100% Airlume combed and ringspun cotton (fiber content may vary for different colors) Please check the color chart and size chart for measurements to ensure an accurate fit They run larger than average women's shirt so please order a smaller size than the women's size you wear. Our shirts are are UNISEX sizing and run true to size.
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